Slowly updating my website, adding more information, adding more work.
I’m figuring out how to organize things better, how to title the images. It’s a slow process, but I’m getting there…
The sculpture is not mine, prints are though!
First gallery exhibition. Please stop by!
Towson Arts Collective
406 York Rd Towson, MD
On view through Friday, February 24
I love your blog. I am now following you. Would you take a look at my blog about global education and consider following me?
Thank you so much, I really appreciate it! I am now following your blog as well— I love education and art blogs.
Anyone— feel free to recommend teaching/art blogs to me, or to recommend my blog to others. :)
Slowly updating my website, adding more information, adding more work.
I’m figuring out how to organize things better, how to title the images. It’s a slow process, but I’m getting there…
This was taught to a group of 7th & 8th grade boys in a history class. The school we taught at separates boys and girls, and groups them 5th/6th grade and 7th/8th. Class sizes are around 12 students! They were learning about the Civil War in their class, so myself along with 2 other girls did a printmaking unit. We based it off of the idea of stamps— both the Stamp Act as well as postage stamps which were later used to commemorate important historical events (such as the Civil War). We then had the students think of an important event in their lives they would like to commemorate! Pictures at the bottom are some of the finished works, which turned out great! This unit taught me a TON as a teacher because I was the “leader” of my teaching group, so I really had to “step up to the plate” and direct/keep everyone on track. I feel like a much stronger teacher now because of this!
And, here is a basic overview of the unit! (Again, these students have NO regular art class!)
Day 1- Today we gave an introduction and had students both brainstorm ideas for their relief prints and then make a good, final sketch which would then be transferred onto their linoleum blocks. Looking back, it would have been a good idea to show the students some more examples of current postage stamps, as well as relief prints to get them more motivated.
Day 2- Today the students transferred their images onto their linoleum blocks. They took the sketch they drew, which was cut to the size of their linoleum, then traced over their outlines heavily, placed the sketch upside down on the linoleum and rubbed the back of the paper, transferring their image to their blocks. Then they outlined them in sharpie. We discussed how relief prints are made (cutting away the areas you want to remain white) and we planned out in groups of 3-4 what areas they should cut and what they should keep black. This is a very difficult concept for anyone beginning printmaking, so it was important that we took an entire day just to plan specifically where the students would cut/not cut. If they messed up they weren’t going to have another linoleum.
Day 3- This was my first day teaching. I began by showing the students examples of current postage stamps and we talked about why they were important things to commemorate (artists, musicians, important events, etc) and then we looked at some relief prints. We discussed things that made good prints (balance of black and white, taking up the whole image, variance in line, details, etc). This REALLY got the kids motivated (why we should have shown this on day one!) Then we began to carve the linoleum blocks (after a carving/safety demonstration). Speedball cutters are not to be used lightly, so I told the students if they did not follow the rules, we would give them styrofoam plates, pens and markers to make their prints like we do in elementary school.
Day 4- This day was supposed to be a day to have a quick midway critique so the students could give each other feedback on their prints so far. They made practice “prints” (rubbings) to see how their work was progressing. I showed them one of my prints I had done in three different stages, explaining why it is important to check your prints regularly so you know where to carve next. However, the “midway” critique took almost the entire period, so the students did not finish carving. For future- SHORT critique, one comment per work/small group critiques, then CARVE.
Day 5- Again, my day to teach. This was a day for students to print their images. However, since they were not done carving as we had planned, they had to finish carving their linoleum blocks, THEN print their images. Once the students saw the demonstration of printing, they ALL wanted to print. Due to a lack of supplies (3 printing stations, 2 brayers each, situated on three desks) the printing area got crowded very quickly! Ideally, in my own classroom, I would have enough materials for each student, and larger desks! Still, every student got at least one GOOD print (we talked about the amount of ink needed to cover the linoleum and how to tell if you are using too much/too little ink).
Day 6- Today we talked about signing/titling/editioning. We also had students trim down their edges (which got rid of most of the ink smudging!) and had a critique. For the critique we did something interesting.
- First a gallery walk of everyone’s work.
- Have each student write their name on a piece of paper. Ball paper up. Students stand up and throw papers around the room for 1 minute. Stop and open paper.
- The name you have on the paper is the person’s work you will critique.
- Arrange the students in pairs. Let’s say I am student A and my partner is student B. My paper says student C. My partner’s paper says student D.
- You then try to “sell” the work you are critiquing to your partner. I try to sell student C’s print to my partner, student B. S/he then tries to sell student D’s print to me!
The students LOVED all of this and it was great. We also had students write artist statements about their work! All in all, a great unit.





I love the way a sketchbook/journal gets once it is almost full— crinkled pages, stained pages, pages sticking outside of the edges. You can tell it has been used, has been the the receptacle for creativity. Keeping a sketchbook/journal is so freeing. Sometimes I draw, mostly I write, and put in inspiring images. This is my favorite one to look through, because it has been my most successful mesh of a sketchbook and journal thus far. It’s almost complete, after a little under a year. I need to work on sketching/doodling more inside, though not necessarily writing less. My printmaking sketchbook is good too, though that needs more on the writing side. I think good sketchbooks invite outsiders to look into them— to delve into the author’s/artist’s mind.
Gallery opening was great Friday night! About 200 people came, it was amazing!